Redux + Reloaded
Section II of The Feminine Mystique Redux seeks to critique film scholarship to introduce a new intersectional horror film analysis. More can be seen on the print version of the mag, including a profile on Cinematic Triple Oppression: Race/Class/and Gender featuring 'Horror Story', a poem by radical BLM organizer Sarah Z Mamo about the untold anxiety of being a black woman in America and Othering of Vampires of Color.
artwork by Robyn Maloney
Tragic Feminine Heroine
Part I of The Final Girl trope analysis with Roman Polanski’s Repulsion
Someday you will ache like I ache
Part II of The Final Girl trope analysis with Rob Zombie’s Halloween II and post traumatic stress disorder
Black Femininity as the "Monstrousness"
Unpacking the highs and lows of Blaxploitation horror through the prism of Barbara Creed's seminal, Monstrous-Feminine. Featuring readings on Ganja and Hess, Abby, and Sugar Hill